CV



Cristina Beltrami - Curriculum Vitae
29 June 1973


3757, San Marco
30124 Venice

PhD art historian and writer of the blog http://archivioscultura.blogspot.it


Academic background
February 2014, Licence (qualification of the French Ministry of Instruction) for teaching History of Art in French Universities.
April 2013, II PhD in Science of the Heritage on the Sculpture at the Venice Biennale (Verona University, department of History of Art, Archeology, History and Geography).

November 2005, degree in History of Art at the Scuola di Specializzazione of Udine University.

2005-2006, grant from the Archivio del  ‘900 in the M.a.r.t. Museum in Rovereto (Trento) to reorganize archives connected with Futurism (Corrado Forlin and Luigi Russolo).

March 2004, PhD in History of Art on Italian sculpture from the half of the XIX century till the ‘20s in Uruguay (Venice University, Ca’ Foscari)

February 1998, degree in Literature and Philosophy

Professional experience
2016, appointed by The Stanze del Vetro – Fondazione G. Cini , Venice – for a research on the figure of Giacomo Cappellin (1887-1968) and to support the organization of next exhibition on Ettore Sottsass (April 2017)

2015, curator of a monographic number of the review Elephant and Castle (CAV – Bergamo University) dedicated to the Monuments to the I War

From April 2014: European P.R.I.N. for the cataloguing of
The Profane Decoration in the North of Italy from XVII to XIX century (Bergamo University).

February-April 2013: Docent of History of the European Sculpture of the XIX and XX centuries (Verona University)

February-April 2011: Docent of History of European Art of the XIX and XX centuries in the Master, School of Art (L.u.i.s. University, Rome)

I Semester 2011: Substitute docent of Museology and Museography at the Verona University (department of Heritage and History of Art)

March 2009: Docent of History of XIX century European Art in the European Master of Restoration (Verona University)

2007-2008: Docent of History of Contemporary Art and Fashion at the Academy of Fine Arts (Venice)

Talks
27-28 April 2016, Venice, The experience of the Venetian masterpieces in the XIX century French literature, at the International Conference on From darkness to light, curated by Rosella Mamoli Zorzi (Società Dante Alighieri), Gabriella Belli (MUVE), Demetrio Sonaglioni (Scuola Grande di San Rocco) and Katherine Manthorne (Graduate Center, NY University)

2016, February, London The Venice Biennale and the Market of Murano Glass (1895-1930), at the International Conference on The Venice Biennale and the Art Market, curated by Marie Cambefort-Tavinor, at the IESA UK, c/o Sir John Soane's Museum, London

9 March 2015, Venice, Ateneo Veneto, L’arte a Venezia durante la I Guerra mondiale (Art in Venice during the First World War), series of spechees organized by Mario Isnenghi and Vittorio Zucconi

4 February 2015, Fulvio Bianconi grafico pubblicitario e illustratore in Fulvio Bianconi tra arte e vetro, curated by the Centro Studi Vetro of the Istituto di Storia dell’Arte della Fondazione G. Cini, Venice.

28 January 2015, Venice, Istituto Veneto per I Beni Culturali, speech on Women and mecenatism in Venice in the XIX and XX centuries: the case of the Marchesa Casati Stampa and Peggy Guggenheim (curated by Rosella Mamoli Zorzi)

4, 6 December 2014, Paris, Armory Museum: Luigi Russolo: un futuriste à la guerre, paper at the International Conference on Painters and the First World War (Les Peintres et la Première Guerre mondiale) organized by Prof. Anne-Pascale Bruneau-Rumsey and Prof. Séverine Letalleur-Sommer (Université Paris Ouest-Nanterre)

13 March 2014, Università degli Studi di Gorizia: Il monumenti alla Grande Guerra in Italia (under publication by “Il Mulino”, Bologna).
11 March 2014, Venice, Ateneo Veneto: Il fondo Emilio Marsili: gessi, bronzetti e dizegni di un atelier d’artista (under publication by Ateneo Veneto Press)
                         5, 6 November  2012, Venice, Ateneo Veneto : I Giardini di Venezia: un pantheon della scultura monumentale veneziana paper in La storia dell’arte a Venezia ieri e oggi: duecento anni di studi, organized by Xavier Barral i Altet and Michele Gottardi

November 2005, Rovereto, Museo Civico: Il gruppo Savarè alle Biennali di Venezia, XIV convention “E. Da Venezia” (curated by G. Dal Canton)



Books
2015, Co-author of Dossier Arte, textbook on Art History for the Italian Schools (chapter on Neoclassicism, Romanticism, Realism, Impressionism, Symbolism, Post-Impressionism, Expressionism, Art Nouveau), Giunti, Florence, 2015, pp. 10-241

2012, La splendeur de Venize et de l'Art moderne. L'incontro tra Emma Ciardi ed Antoine Bourdelle, Istituto Italiano di Cultura (Parigi ), ZeL Edizioni, Treviso (French-Italian).

2011, Millenovecentoundici. Le arti in Friuli e Veneto, catalogue of the exhibition by C. Beltrami, ZeL Edizioni, Treviso.

2011, Scolpire gli eroi. La scultura al servizio della memoria, catalogue of the exhibition by C. Beltrami e G.C.F. Villa, Silvana Ed., Milan

2010, Cesare Laurenti (1854-1936), An artist of Venetian Symbolism, ZeL Edizioni, Treviso.

2004, Segni e luoghi. Vita e opere di Lino Bianchi Barriviera, Fondazione Benetton Studi Ricerche-Edit. Canova, Treviso.

2002, Lidentità delle arti a Venezia nel Novecento, Marsilio, Venice.

Main articles
2015, Domenico Rambelli: il monumento ai caduti di Viareggio e l’elaborazione di un linguaggio monumentale, “Elephant & Castle”, CAV- Università degli Studi di Bergamo, pp. 12-25.

2016, Giuseppe Chiattone e la Francia, in Antonio e Giuseppe Chiattone, curated by G. Ginex, Skira editore, Milano, 2016

2016, Dal Zotto, Canonica, Bellotto: la classe di scultura all’Accademia di Belle Arti di Venezia. Il primo Novecento , in Storia dell’Accademia di Belle Arti di Venezia. Il Novecento (curated by Sileno Salvagnini).

2013, Ma è poi così “scandalosa” la XXXII Biennale di Venezia?, Festschrift in honour of  L. Olivato, Università degli Studi di Verona, ZeLedizioni, Treviso, October 2013.

2012, Tre secoli di irascibili. Action Painting da Guardi a Boldini a Pollock, in Art e Dossier n.293, November 2012, pp. 34-39. 

2010, the items on E.Marsili and M.Mascherini, in Dizionario Biografico degli Italiani, Istituto Italiano dell'Enciclopedia Treccani, Rome.

2010, Margherita Sarfatti e Novecento. Eterno moderno, in Artedossier n.265, April 2010, pp. 38-41.

2009, items on Artway of Thinking, Edmondo Bacci, Vittorio Basaglia, Italico Brass, Beppe Ciardi, Emma Ciardi, Guglielmo Ciardi, Luigi De Giudici, Mariano Fortuny y Madrazo, Giovanni Korompay, Luigi Russolo, Nico Vascellari; in La Pittura nel Veneto/Il Novecento (curated by Nico Stringa), Electa, Milan, 2009.

2008, items on Pablo Picasso, Il laboratorio cubista, Kandinsky e l’astrattismo, Alberto Giacometti, Lucian Freud, in Novecento, curated by Umberto Eco and Anna Ottani Cavina, Motta Ed., Milan, March 2008 (distributed with the Corriere della Sera).

2007, Il ciclo de L’Apocalisse di Giorgio De Chirico, in L’Apocalisse, catalogue of the exhibition by G. Geretti e S. Castri (Rome, Musei Vaticani), Skira Ed, Milan, 2007, pp. 234-256.

2006, Il fondo Russolo del Mart, in Luigi Russolo. Vita e opere di un futurista, catalogue of the exhibition by G. Belli, F. Tagliapietra and A. Gasparotto, M.a.r.t. (Rovereto) 26 May - 9 September 2006, then Estorick Collection, London, Skira Ed., Milan, pp. 14-18.

2006,  Il gruppo Savarè alle Biennali, in I Quaderni, Querini Stampalia Foundation, Venice 2006, pp.24-32